Dazu Rock Carvings

Overview

About

The Dazu Rock Carvings, in the Dazu, Tongnan, Tongliang and Bishan districts in Chongqing, are among China’s most famous Buddhist cliff sculptures: more than 70 sites and over 100,000 figures, the most important at Baodingshan and Beishan.

In 1999 the carvings at Beishan, Baodingshan, Nanshan, Shizhuanshan and Shimenshan were inscribed on the World Heritage List.

Travel tips

Getting there: buses and high-speed trains run from Chongqing to Dazu (now a district of Chongqing); the train station is Dazu South. From town, buses and taxis go to Baoding Shan and Bei Shan.

Booking: tickets are booked in advance under your real name through the official channels; book early for holidays.

Baoding Shan: about 15 km northeast of town. The Great Buddha Bend is the main part, with the Thousand-Armed Guanyin, the Reclining Buddha and the Wheel of Rebirth; the Dazu Rock Carvings Museum is near the entrance. Allow about half a day.

Bei Shan: a short way north of town, with the carvings concentrated on the cliff at Fowan. One to two hours is enough.

Nan Shan, Shimen Shan and Shizhuan Shan: smaller and quieter sites some distance from town, for those with more time.

Time: Baoding Shan and Bei Shan are about 20 km apart and fit into one day, usually Baoding in the morning and Bei Shan in the afternoon; a day trip from Chongqing is possible.

Season: spring and autumn are best; summer is hot with frequent thunderstorms.

Caution: most carvings are on open cliffs, some under eaves. Do not use flash or touch the carvings.

The Beishan carvings

The Beishan (North Hill) carvings, 1.5 km north of the county town, were begun in 892 in the late Tang and completed in 1162 in the Southern Song, a span of more than 250 years; they are a national protected site.

Nearly 10,000 figures are carved at Fowan, Yingpanpo, Guanyinpo, Beita Temple and Fo’eryan, the densest at Fowan: on a cliff more than 300 m long and 7 m high are 6 stelae, 55 inscriptions, 8 sutra pillars and 264 niches of sculpture.

Fowan has a south and a north section. The south is mostly late Tang and Five Dynasties work, the north mostly Song. The late Tang figures are dignified and full, robust in spirit, simply dressed and fluid in line; those of the Five Dynasties are delicate and varied, their dress growing more elaborate as foreign influence fades, marking a transition; in the Song work the Chinese character is fully developed.

The Baodingshan carvings

The Baodingshan carvings, 15 km north-east of the county town, are a national protected site cut between 1179 and 1249, more than 70 years; there are 13 groups, the largest at Dafowan and Xiaofowan.

Dafowan is a horseshoe-shaped hollow carved on its east, south and north faces: a vast ensemble of 19 scenes from the sutras with more than 10,000 figures, no two alike.

The Cave of Complete Enlightenment is hollowed from a single rock and as roomy as a hall. Three Buddhas occupy the rear wall with a kneeling bodhisattva before them, hands joined in reverence; on the side walls sit the twelve bodhisattvas of enlightenment on lotus thrones, each in a different pose, their robes and flesh so lifelike the drapery seems to cling like gauze. Pavilions, people, birds and beasts, flowers and trees, springs and rocks are carved between them, almost realistic: the finest work at Dafowan. There are more than 30 large reliefs, among them the Wheel of Rebirth, the Great Jewelled Pavilion, the Three Sages of the Avatamsaka, the Thousand-Armed Guanyin, the Parinirvana of Shakyamuni, Nine Dragons Bathing the Prince, the Peacock King, the Vairocana Assembly, the Kindness of Parents, the Buddha’s Repayment of Kindness, the Six Beasts and the Hells. Scriptures and hymns are carved beside the scenes like captions to a picture story, a feature found at no other Chinese grotto.

Stamps

In 2002 China Post issued 2002-13T “Dazu Rock Carvings”, four 80-fen stamps: the Sun and Moon Guanyin and Samantabhadra at Beishan, the Three Sages of the Avatamsaka at Baodingshan and the Three Sovereigns Cave at Shimenshan, all Song, with an 8-yuan souvenir sheet of the Thousand-Armed Guanyin at Baodingshan.

The fourth stamp of the 1988 definitive set R24 “Chinese Grotto Art” shows the Song figure of a girl feeding chickens at Dazu.

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